Malleable Memory

I finally got a power cord for the KX88. And I hooked it up to the old Proteus.

I had avoided playing on it because I didn’t want to torture myself. There is something grossly unsatisfying about playing a silent keyboard. So with everything hooked up I started plunking, but there was no sound. Which I’m going to call a good thing. Why? Because I learned something about myself. I remember magically. I improve on reality more the further I am away from it.

Without sound, the KX88 keys felt heavy and mushy. Like those on the Akai MPK88, a keyboard which I had rejected when I had first played it. After correcting the Midi channel communication the sound came out beautifully and the keys suddenly felt more responsive. This was a bit of a shock and a joke on me. I have been longing for the return of my KX88, and now I find that my hands may have moved on. I played on a Roland RD-700NX and it felt like a piano, with a very similar resistance and response; reminiscent of a dry Steinway, like one in a practice hall where humidity and temperature are controlled. The Roland action was lustworthy, but I’m not sure if I would find it  a fuller experience or if Yamaha has somehow balanced the essential synergy between tactile feedback and sound response. And, I’ve decided not to worry about it.

The KX88 takes a heavier hand and will help me develop strength and technique that will hopefully translate the a quicker, lighter board in the future. Next I’m going to try out the Kurzweil 2500/2600/PC3K8 series and the Korg KronosX.

Candy, Candy.